97th Academy Awards Nominations: Cameras & Lenses
OSCAR NOMINATED MOVIES: Cameras & Lenses
Cinema isn't just storytelling; it's how a story is visually brought to life through careful camera, lens, and cinematography choices. As we dive into the 97th Academy Awards Nominations, let's look at the technology behind this year's most celebrated films. In this listicle, we'll explore the cameras and lenses used in the current nominations for the 97th Academy Awards across three key categories: Best Cinematography, International Feature Film, and Oscar Best Picture Nominees 2025.
Camera and Lenses Used by Current Nominations for 97th Academy Awards
From breathtaking scenes to compelling storytelling, the 97th Academy Awards Nominations showcase the artistry and technical brilliance that define cinema. Let's explore the cameras and lenses that craft these visually stunning films.
Oscar nominations 2025 list (Cinematography, International Feature Film & Best Picture)
THE BRUTALIST
Cameras: Arricam LT, Arricam ST, Arriflex 235, Arriflex 435, Beaumont VistaVision Camera
Lenses: Cooke S4 Lenses, Leica R Lenses
DUNE: PART TWO
Cameras: Arri Alexa 65, Arri Alexa LF, Arri Alexa Mini LF
Lenses: Arri Rental Moviecam, Prime DNA, IronGlass Helios, Jupiter, Mir, Optica Elite, and Zero Optik Rokkor
EMILIA PÉREZ
Cameras: Arri Alexa Mini, Red Komodo, Sony CineAlta Venice 2
Lenses: Tribe7 Blackwing7, Arri Signature Prime, Angenieux EZ-1, EZ-2, Optimo Ultra and Zeiss Standard Speed Lenses
MARIA
Cameras: Aaton LTR, Arricam ST, Arriflex 416 Plus
Lenses: Cooke Varokinetal Lenses, Zero Optik Bausch & Lomb Ultra Baltar and Canon K35 Lenses
NOSFERATU
Cameras: Arricam LT, Arricam ST
Lenses: Panavision Ultra High Speed, Bausch & Lomb Baltar, Goerz Dagor, and Pathe Tessar Lenses
I'M STILL HERE
Cameras: Aaton Cameras, Arricam camera package, Panavision Cameras
Lenses: Panavision Primo Lenses, Leitz SUMMILUX-C lenses
THE GIRL WITH THE NEEDLE
Cameras: ARRI Alexa Mini LF
Lenses: Leitz HUGO lenses
THE SEED OF THE SACRED FIG
Cameras: Sony FX3, Sony FX6
ANORA
Cameras: Arricam LT
Lenses: Atlas Orion, Lomo Round Front, Square Front Zoom, and Angenieux Optimo Ultra Lenses
A COMPLETE UNKNOWN
Cameras: Sony CineAlta Venice 2
Lenses: Panavision B- and T-Series Lenses
CONCLAVE
Cameras: Red V-Raptor 8K VV
Lenses: Tribe7 Blackwing7, Arri Signature Prime, Angenieux Optimo and Optimo Ultra Lenses
NICKEL BOYS
Cameras: Sony CineAlta Venice
Lenses: Panavision VA Lenses
THE SUBSTANCE
Cameras: Arri Alexa Mini LF, Red Komodo, Red V-Raptor
Lenses: Canon FD and K35 lenses, Angenieux Optimo Ultra, EZ-2, Leitz Thalia, M 0.8, Cooke Macro/i FF, Arri Macro, Sigma FF High Speed and Laowa Zero-D Lenses
WICKED
Cameras: Arri Alexa 65
Lenses: Panavision Ultra Panatar II Lenses
Camera Frequency in 2025 OSCAR NOMINATED MOVIES
Among the 97th Academy Awards Nominations, certain camera models stand out as favorites among filmmakers, offering a mix of digital precision and classic film aesthetics. The table below highlights the frequency of cameras used in the Best Cinematography, International Feature Film and Oscar Best Picture Nominees 2025, showcasing industry-preferred tools for crafting cinematic excellence.
| Camera Model | Frequency |
|---|---|
| Arricam LT/ST | 7 |
| Arri Alexa Mini LF / Mini / LF | 5 |
| Red V-Raptor | 3 |
| Arri Alexa 65 | 2 |
| Red Komodo | 2 |
| Sony CineAlta Venice 2 | 2 |
| Arriflex 235 | 1 |
| Arriflex 435 | 1 |
| Beaumont VistaVision Camera | 1 |
| Aaton LTR | 1 |
| Arriflex 416 Plus | 1 |
| Panavision Cameras | 1 |
| Aaton Cameras | 1 |
| Sony FX3 | 1 |
| Sony FX6 | 1 |
| Sony CineAlta Venice | 1 |
The 97th Academy Awards Nominations clearly show that ARRI remains the most widely used camera brand, reinforcing its dominance in the film industry.
Why is ARRI so Popular?
Even for the 2024 Oscar nominated movies, ARRI was the most used camera brand. ARRI’s popularity stems from its unmatched image quality, dynamic range, and versatility. The brand’s digital cameras, particularly the Alexa series, are known for their filmic look, exceptional color science, and ability to capture high dynamic range (HDR) imagery. This makes them a preferred choice for both digital and hybrid film productions. On the other hand, ARRI’s film cameras, such as the Arricam LT/ST, remain industry favorites for their reliability and ability to deliver rich, organic textures that many directors and cinematographers love.
If you're passionate about cameras, photography, videography, and all things visual storytelling, be sure to explore our news page for more in-depth insights and the latest trends! And if you’re looking to bring your vision to life, don’t forget to check out our website for cinema camera rentals to get the perfect gear for your next project.