Behind the Scenes: How Severance Season 2's Epic Opening Hallway Scene Was Shot

Adam Scott plays Mark S. In Apple TV’s Severance

After a nearly three-year wait, Apple TV+'s hit show Severance returned with a jaw-dropping opening sequence that has the internet buzzing. The two-minute single-take hallway scene from Season 2 Episode 1 showcases not just storytelling brilliance, but also technical mastery in modern television production. Let's dive deep into how this remarkable sequence was achieved and the equipment that made it possible.

Breaking Down the Two-Minute Marvel

The opening sequence, which follows Adam Scott's character Mark running through Lumon's labyrinthine hallways, was filmed in ten different parts over a five-month production period. Rather than shooting the sequence all at once, the production team approached it as a "side project," filming different segments between other scenes throughout the production schedule. This methodical approach allowed them to perfect each segment while maintaining the overall cohesion of the sequence.

The Technical Breakdown

Camera Movement Techniques

The sequence employs several sophisticated camera techniques:

  • Robotic Arm Shots

    • Utilized programmable robotic arms for precise, repeatable movements

    • Allowed for complex camera choreography that could be replicated exactly across multiple takes

    • Created smooth, dynamic movements that would be impossible with traditional camera operation



  • Steadicam + DJI Ronin RS3

    • Seamless transitions between robotic and handheld shots with the DJI Ronin RS3 on a stedicam-like setup.

    • Careful matching of movement speeds and trajectories

    • Strategic use of motion blur to mask transition points

  • Low-Angle to High-Angle Transitions

    • Dynamic height changes throughout the sequence

    • Precise frame matching between different camera setups

    • Thoughtful use of ceiling lines and wall corners for transition points



Set Design and Shooting Space

The production team took advantage of Severance's distinctive set design:

  • Built the entire "severed floor" on a stage in the South Bronx

  • Utilized interconnected hallways that actually connected to each other

  • Employed the "Star Trek trick" of shooting the same hallway from different angles

  • Modified set pieces between takes to create the illusion of different locations

Map of the “Severed Floor” (Credit Ben Powell - Reddit)

The Camera Package: From Sony Venice to FX3

Primary Camera System

The show primarily uses the Sony Venice camera system with Panavision lenses, specifically:

  • Sony Venice 2 as the A-camera

  • Panavision PCZ 19-90mm T2.8 zoom lens for primary coverage





Secondary Camera System

For the hallway sequence, the team incorporated:

  • Sony FX3 cameras

  • Panavision H Series 20mm T2.8 Prime lenses

  • DJI Ronin RS3 Gimbal for stabilization




Why the FX3?

The Sony FX3 was chosen for specific portions of the sequence for several reasons:

  • Compact form factor ideal for tight spaces

  • Excellent motion handling capabilities

  • Ability to match the Venice's color science

  • Perfect size for gimbal operation

  • Cost-effective option for high-risk shots



While often categorized as a compact cinema camera or advanced videography tool, the Sony FX3 has proven itself as a legitimate player in high-end professional productions. Its implementation in Severance's complex hallway sequence joins a growing list of prestigious productions utilizing this versatile camera, including its notable use in The Creator, where it served as a B-camera alongside the Venice. What makes the FX3 particularly appealing to professional productions is its ability to deliver cinema-quality imagery in situations where larger cameras might be impractical. Its 10-bit 4:2:2 internal recording, S-Cinetone color science, and robust dynamic range allow it to seamlessly intercut with footage from higher-end cinema cameras like the Venice.

Post-Production Magic

The seamless appearance of the sequence also required extensive post-production work:

Frame Blending Techniques

  • Sophisticated frame interpolation between shots

  • Careful matching of motion blur

  • Strategic use of natural transition points

VFX Integration

  • Rotoscoping work for clean transitions

  • Digital set extensions where needed

  • Careful color matching between different camera sources

  • Frame stabilization and smoothing

Editing Challenges

  • Precise timing of transitions

  • Maintaining consistent pacing throughout

  • Ensuring natural movement flow between segments

Production Timeline

The five-month shooting schedule wasn't continuous but rather strategically planned:

  • Shot segments between other scenes

  • Allowed for equipment setup and testing

  • Provided time for reviewing footage and making adjustments

  • Enabled multiple attempts at particularly challenging segments

Equipment Availability at DFI Rentals

For filmmakers inspired by this technical achievement, DFI Rentals in Los Angeles offers the exact equipment used in this groundbreaking sequence. Our inventory includes:

The Camera Packages

  • Sony FX3 Cinema Camera

  • Sony Venice Cinema Camera

  • Various lens options including prime and zoom configurations

Support Equipment

  • DJI Ronin RS3/4 Gimbal

  • Professional rigging solutions

  • Monitoring and wireless video systems

  • Full accessory packages

Ready to Create Your Own Epic Sequence?

Contact DFI Rentals today to learn more about our Sony camera packages and stabilization solutions. Our experienced team can help you select the perfect equipment for your next project, whether you're shooting a complex single-take sequence or need a reliable camera package for your production.

Our Commitment

  • Expert technical support

  • Comprehensive testing before rental

  • Flexible rental periods

  • Competitive rates

  • Full accessory packages available


Image & Video Rights

The still images and video clips featured in this article are property of Apple TV+ and are used under Fair Use for educational and critical analysis purposes. Severance™ and all related marks are trademarks of Apple Inc. All rights reserved. Images and video clips are included specifically to illustrate the technical aspects of filmmaking being discussed and represent a small portion of the original work used for educational purposes.

Credits:

  • Severance Season 2, Episode 1 (2025)

  • Created by Dan Erickson

  • Directed by Ben Stiller

  • Produced by Apple TV+

  • © 2025 Apple Inc. All rights reserved.

For more information about the show, visit Apple TV


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